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October 16, 2004

Nose grease tip

Zac, from The Attic sent along a great tip for dealing with scratches on negatives:

Wipe your nose with index finger then lightly rub over the scratch with your newly greased finger.  The grease fills the scratch a bit and also kind of diffuses the light and removes the hard edges of the scratch.  Try it out with a damaged neg and you will see what I mean. Instead of using a cloth I also use this little speck grabber tool which is just a little wand with kind of a spongy tip that you can pull off specs with.  It works great.. it is also good at rubbing around the grease.  Hope that helps!

I'll have to ask him more about this little speck grabber thingy -- I can use all the help I can get!

I'm back in the darkroom tomorrow -- if I can get a roll run though today -- I've been so busy with work, I just haven't had much time -- I'm feeling a little burned out -- but I see my little camera sitting over there -- beckoning me to push the shutter release... I think I will oblige...

 

October 06, 2004

Exposure Meter

We talked about exposure meters last night. I've always called them light meters - but I stand corrected by my instructor.

The only real tidbit of information I pulled from last night's class is to compensate the exposure on your camera when shooting either very dark, or very light subjects. I always knew this -- and I do a fairly good job with it -- but I never really knew just how many stops of light I should compensate so the image will turn out the way my eye originally saw it. Answer: 2 stops of light. If it's a really white subject - add 2 stops -- if it's a really dark subject - subtract 2 stops. You can do this by either adjusting your shutter speed or aperture.

Now you know what to do when making images of Polar Bears and black cats...

October 04, 2004

B&W Class Update

All right -- it's time for another update!

I've now completed 3 classes and a darkroom session. I've learned how to process my own film and make my own prints. I can tell you that it's the most amazing experience as a photographer - to go out in the morning, shoot a roll of film, come back and process it, and then make enlargements -- all in the same day. There's nothing like it -- creating, processing, and printing my own images, with my own hands.

Oh sure - I could take my D70 out and do the same thing - and avoid all the chemicals and mess - but it's not the same. It's just not. We're talking lost art here -- we're talking keeping a wonderful thing alive. For me, there's NO comparison between the images my D70 spits out and any one of my film cameras -- there isn't.

I will say that working in Photoshop is much easier than trying to accomplish the same thing in the darkroom -- if what you're trying to do extends beyond dodging, burning, and masking. For right now, I like the purist side of things -- I like to compose the image in-camera, properly expose and focus the image -- and then print - with minimal intervention. A chance to see what my mind's eye is seeing when creating an image.

It's not all pretty, either -- I've processed a few rolls now, and I'm amazed to see distracting lights above a subjects head -- or a flag pole sticking out of an ear --- things I don't remember seeing when I composed the image in the viewfinder -- Nope, didn't see them - but seeing them on the negative makes you THINK about the next time you make an image -- to make sure the frame is clear of 'debris' you don't want showing up on your negative. It's a great exercise. Especially for someone like me who loves both digital and film -- it keeps me from just firing off 50 shots of a subject, reviewing, and then reshooting. Instead, I'm more aware of what's going on in the frame - so I have minimal work to do in Photoshop.

I'll write more about this later -- and I want to write about how EASY and inexpensive it is to process your own film. I've had lots of emails asking me about this -- and there's a great misconception about the expense involved. Some will say it's much cheaper to shoot digital -- but I'll tell you this -- I can process a hell of a lot of film for the price I paid for my D70 and associated lenses/cards. More on this later...